The Rabbitte Perspective

Goin' Up?! While understandably, it is the likes of the British film directors of Danny Boyle, Christopher Nolan and Ridley Scott that take up the lime-light in the media aspect of things, it would be criminal to not forget the lesser-known British directors who create pieces of art in their own image that are worth taking a look at. One director, in particular, that fits this model of thinking is Ben Wheatley who has been responsible for making such works as Sightseers  (2012) and A Field in England (2013). Through watching his older-recent works, one of the tropes that Wheatley tends to favour contextually is making a film that underneath the surface adopts dark themes in circumstances that can either be looked in a political or social manner ( Sightseers being the perfect example of this). With Wheatley's latest filmic piece High-Rise , based on J.G.Ballard's 1975 novel of the same name, it's not only a pristine and archaic film that offers up contextual t

"From the studio that inexplicably sewed his f****** mouth shut the first time, comes... me!" There's no denying that in recent times, there has been some hefty discussion over the saturation of Superhero films in the current industry and how, regularly, each year, the numbers of Superhero films seems to be getting bigger and bigger. I mean, in fairness to the Studios that do produce and distribute the Superhero films, you can't blame them since it's the headline genre that makes the most money these days. While down the road of this year we are going to get the 'main' Superhero films of the likes of Batman V. Superman: Dawn of Justice , Captain America: Civil War and Suicide Squad , It's vital that we don't forget some of the other titles that could easily take the mantle of being the better Superhero film of 2016 and this is no different with the recent release of Deadpool . Although in fairness, it's not necessarily an archetype an

Lack of story for such a good idea... Being that in this current state that I'm someone who is researching upon Japanese animation for a dissertation, it's no surprise really to learn that Japanese animation and video games are entertainment and artistic platforms that coalesce with each other. While a more subtle example of this can be see in Hayao Miyazaki's Castle in the Sky with magic crystals and floating cities resembling that of the 90's Final Fantasy video games, another more well-known platform would be that of Pokemon  which is a pure example of being a successful and morphed product which has spawned not just endless titles of films and games, but also with it's ever-popular merchandising of toys and playing cards. After the instant success of Anime in the late 90's/early 2000's, and Pokemon being one of the shining lights in establishing this, Japanese animation essentially became the norm for western audiences and the demand for these a

Sparks of new and old... I don't think there's any questioning really that along with some of the other great Sci-Fi film epics, such as Metropolis , 2001: A Space Odyssey , Alien/Aliens and many many more films of this ilk, Star Wars is a futuristic and adventure filled series that everyone in this day and age, can connect with in any way shape or form. Along with my early upbringing of generally watching films such as with the Disney animations and Peter Jackson's Lord of the Rings series of films, Star Wars, in particular Episode IV: A New Hope , was one of the first films that I cherished and loved watching over, and over again. Everything about the film, and the others that followed, had action sequences and relatable and intersting characters that went well with a simple story line that was fun to watch. Quite honestly, after when Episode III: Revenge of the Sith was released back in 2005, I never could have imagined that other Star Wars films would be made