Annihilation Film Review
Poetic Visualisation Since the inception of cinema itself, the sci-fi genre has always provoked to make us think and deliberate on ideas and premises that subtly reflect our own cultural and social anxieties. Indeed, from Georges Méliès' A Trip to the Moon, that naturally eclipsed and astonished audiences in wonderment at the time of its release in 1902, to Stanley Kubrick's 2001: A Space Odyssey and Ridley Scott's Blade Runner which both respectively imbue themes and motifs that parallel social thinking and have each marked a new milestone in the aforesaid genre, science-fiction has consistently allowed itself to meander into ideas and story-lines that not only provide an awe of escapist reality, but establish motifs that are seemingly relatable and engaging amongst the dystopian backdrops that are displayed. This is something that Alex Garland has effortlessly done in not only his first feature as a film-maker in the form of Ex Machina , but also carries forward ...